Dave m
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Posts posted by Dave m
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I think PARs are just over 200mm so how about a cheap circular Amazon LED panel? They chuck out an amazing amount of light for the money
Or source a sub 200mm (check my measurements) bargain LED par can and either insert it as is, or strip it down
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Could you use a side chain compressor between the monitor out and mic? Effectively the mic causes the monitor feed to duck?
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https://reverb.com/a...or-akg-c-451-eb
I used to have one of these- wish I'd kept it if the price is right!
Look up "shock mount"
I have some banqueting type stands that sit on a kind of tyre. It's a soft neoprene very like a car door seal
https://www.studiospares.com/Accessories/Mic-Holders.htm?pl=2147483647
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Downlighter trims?
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Agree on the desk cable fittings.
Or something nautical? Brass/stainless?
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https://www.flints.c...gue/castors.pdf
The actual pneumatic ones are quite costly, Flints sell them, and the type that jack using a lever.
https://www.toolstat...ChoCGD0QAvD_BwE
I don't know if you could manufacture your own pneumatic castor with several of the ones above?
anything pneumatic will make some noise when releasing or lifting.
I did a gig in Bolton where a chunk of seating was on pneumatic gliders but used a building site style tow along compressor.
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Printed in France...
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The whole point of windows is to allow light in?
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Steeldeck sell castors. Ours are about 6-7 foot high stacks on one set of four castors.Although we don't often truck a whole stack
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If that's your issue then run a coms line into the FOH office with an additional circuit or alarm style buzzer to get them to switch on their station? A battery back up/ups for the coms might be useful. Or have a set of radios for FOH / Backstage emergencies ?
At work (non theatre now) we are moving from a phone network to "teams" which involves an ap on mobiles or desktops.But emergency phones will be retained where necessary.
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Thanks
I also wondered about latency.
Do silent discos also have latency? I guess it's not an issue if people are bopping to different tunes anyway?
I think it's a student getting a bit over their head
I've been asked by a third party so I don't know all the details
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Hi
Had a request for a low budget silent disco type event which is more a drama than 'disco"
Zero budget so is there an alternative that works? I am thinking of an app that could rely on the users' mobile phone and a local wifi?
any real life experience would be good.
Ta
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LED lighting in theatres does tend to flicker more than LED lights for film and TVThe colours also tend to look weird to the camera
I did a gig at the Brighton Dome a few years ago where the stage preset was a blue and there was a red carpet.Blue lighting always tends to bleed on camera but the red carpet went into a kind of purple acid tripIt looked fine to the eye
Once the show got going it was ok as more white light came up but I had a few nervous moments
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Hi,
A performance artist wants to perform a dance behind a projection screen, with images ("holograms") also appearing on a screen in front.
She showed me a Japanese /K-Pop type performance where images are projected and the singer interacts.
The space is really small and I first thought of sharks tooth as a projection material, but will the audience be too close?
I am guessing 3M might be the closest?
Would domestic net curtain type stuff be better given the distances?
thanks
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just use gaffer tape upside down to join the sheets and also tape normally around the edges. you could use double sided tape but once the floor gets large enough, it tends to stay put down to weight
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You can PC stainless but from what I read, it can be tricky. Normally metal is shot blasted to make the PC adhere. Personally I don't think that there is any advantage in stainless for a speaker bracket, even if you are on the end of a pier? Stainless is harder to weld, meaning that you'd need to go back to the builder if something fails? Ok so you might anyway.
Balance wise, a mate had a 4x10 trace Elliot cabinet that was a bloody nightmare to carry as it had handles centred on the box, and tipped forwards when carried. I built a FoH rack and calculated the CoG for handle placement so it was easy to carry.
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I'd go for hardboard. It works for flamenco and tap
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Does it need to be so complicated? Loads of led tape will do chases/flashes and many (all?) will come back on the same effect as last used.
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A cable like bike lock would do? At least for the square ones.
I can't remember if the round type have a hole in them.
Other than that, something like a small dog crate or get someone to weld four bits of rebar to a plate and supply a second plate drilled with four holes to sandwich the stacked weights. Add a chain to stop the top being lifted off
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Rather than paint, can I suggest Powder Coat?It can be bloody hard and quite cheap
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If there is a need to run cables (signal or supply) along bars, I tend to alternate along either side of the steel cables that hang the bar, or if it was a handrail on a balcony, I tend to use the uprights in a similar way. That way it's self supporting
Is that what you mean?
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Go the other way and deliver the light through fibre optics? With the light source on the other side of where a projected light would be?
Mic choice
in Sound
Posted
I spoke to a mate from work's mum today.She's a singer who performs at weddings and in churches, mainly operatic and probably LloydWebber style stuff? She has a kawai piano
She sings in marquees and churches, not all churches are lively, and needs a lift
Someone's suggested a Yamaha powered speaker and it looks good to me (Yamaha dbr10)The speaker has a couple of channels so a mic and piano can be mixed It's quite light ( I guess she's 60?)
Mic wise she was recommended an sm58. They're great mics but for that style of singing would a headset in that price range be better? She doesn't want to hand hold a mic.
Any advice gratefully received....