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Edward- Z88

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Posts posted by Edward- Z88

  1. Hi @Oscah

    1 hour ago, Oscah said:

    im suspicious of the desk Zero flx s24 but it seems stable

    Firstly, make sure that the console isn't on really old software. Send us an email to support@zero88.com, and we'll be able to help with this.

    1 hour ago, Oscah said:

    im not totally up to speed on it and it has a patch I didn't do but I guess I could go for a save nuke re-patch attempt

    Create a list of all your fixture's modes and addresses, and then make sure these match the patch on the console. Make sure that you do indeed have the correct fixture model patched for your movers.

    1 hour ago, Oscah said:

    I cannot (fully) control the moving heads, one has pan and tilt but no lamp, the other on the same bar has lamp but no control

    When you say "Lamp", do you simply mean control over the intensity, or are you referring to being able to strike/dowse the lamps?

    1 hour ago, Oscah said:

    the 3rd moving head is on a different bar with a different wifly unit, I have no control there at all.

    If you temporarily stick one of the working LED PARs on this DMX receiver, can you control it? If so, this proves data is getting there.

  2. Hi @Cctheatre

    56 minutes ago, Cctheatre said:

    I know the Jester desk has a CR2032 battery but does anyone know if it wipes the memory when you replace it?

    As part of the battery replacement process you will need to reset the console. So make sure you have saved a copy of the show file prior to replacing the battery.

    • Like 1
  3. 1 hour ago, pumphouse said:

    Interesting that Chamsys saw it and FLX didn't though.

    FLX uses Art-Net 4, which will be the same as DMX Workshop. So if neither DMX Workshop nor FLX detected the device, there's something about its Art-Net implementation which isn't compliant with Art-Net 4.

  4. 1 hour ago, pumphouse said:

    Well interestingly a Chamsys instance running on a laptop DID recognise the driver as an Art-Net node, but the FLX didn't. 

    When you say the LED Pixel Driver was recognised, was it detected and displayed as a device, or did it simply respond to Art-Net data? If it received Art-Net data, this suggests the Art-Net data is being broadcasted.

  5. 58 minutes ago, indyld said:

    The upside to something like Wireshark is you can see everything, the downside - you can see everything... I generally filter for relevant traffic, in this case Art-Net packets, polling, replies and such. 

    It is probably worth mentioning that to get the most out of Wireshark, ensure the PC running Wireshark is connected to a port of a managed switch, with the port set to "mirror" mode.

    This ensures ALL of the Ethernet Switch's data is sent to the Wireshark PC. If Wireshark is simply connected to a port of an unmanaged Ethernet Switch, only broadcast data on the network, or unicast data sent directly to the laptop, will be received by Wireshark. You'd therefore miss all of the unicast data being sent between other devices on the network.

    • Upvote 1
  6. 3 minutes ago, pumphouse said:

    It's quite likely that the LED control software on a PC may use broadcast, although some element of polling-based detection is evident in some of the software.  If the box isn't responding to an ArtPoll then I guess the FLX won't 'see' it as a device?

    I am guessing that the LED Pixel driver does not appear in Setup > Devices on FLX? If so, this confirms FLX is not receiving an ArtPollReply from the driver. If you can "see" the device in its configuration utility, the device must be using some other non-Art-Net form of discovery.

    6 minutes ago, pumphouse said:

    I'm getting another 4-universe Art-Net node to try and I can then use DMX-WS2811 drivers to control the LED tapes.

    Great - glad you'll be able to workaround the issue.

  7. Hi @pumphouse

    22 hours ago, pumphouse said:

    in DMX Workshop I can't see the H802RA as an Art-Net node, even though I can ping it.

    18 minutes ago, pumphouse said:

    the control software that does detect the box - it's responding to some form of broadcast polling - but perhaps as @Tomo said not the Art-Poll.

    18 minutes ago, pumphouse said:

    I'll see if I can set the FLX to broadcast and try that.

    This will probably be the issue. FLX will only send ArtDmx to Art-Net devices that subscribe/request an Art-Net universe. If they don't ask for an Art-Net universe, they won't be sent one. FLX does not have an option to force Art-Net to be broadcasted.

    Art-Net 4 controllers unicast ArtDmx to Art-Net devices that subscribe to a universe. ArtDmx can only be broadcasted if more than 40 devices subscribe to a single universe.

  8. 1 minute ago, indyld said:

    The term for this particularly case is 'park' and although I'm not an FLX user, am pretty sure you can park channels.

    To confirm, yes, fixtures can be parked on FLX consoles. You can also configure a fixture to be at a certain intensity value by default, which is a slightly different approach.

    • Thanks 1
    • Upvote 1
  9. 9 minutes ago, Robin D said:

    If I remember correctly, I think your support people said I could do it with an FLX but not the FLX(S) being the ability to exclude things from a DBO. There was a need to ensure that a couple of blues above the stage stayed on at all times for safety

    On FLX and FLX S, it is possible to essentially create your own Grand Master & Blackout. To do this you would set all the fixtures you'd like to be affected by your GM/DBO to full, and record that to the playback fader you'd like to use as your GM/DBO. You can then configure that playback to be "Inhibit", and it will now act as a Grand Master just for the fixtures you chose, leaving other fixtures untouched.

    • Like 1
    • Thanks 1
  10. 5 hours ago, Robin D said:
    • Knowledge of what's in the rig and to have it properly patched, 

    I think this is a really valid point. Before you can even think about touching a lighting console, the rig needs to be working. Powered, data cabled, and addressed. If the rig isn't working, this is a huge learning curve for those that are not in the industry. "DMX", "Personalities", "Start Address", "DMX Splitter", "Universe" are all just jargon. This is the exact problem we try to solve with RigSync. However, in most cases, the fixtures are sadly not RDM, and so this all falls down...

    https://www.zero88.com/manuals/zeros/setup/universes/remote-device-management

    5 hours ago, Robin D said:

    Now it's dead easy to knock the teachers and those that allow these situations to occur, but surely desks could be designed to be more intuitive thus reducing the learning curve? As said earlier I am certain the FLX is a cracking little desk but faced with the late hour, the lack of working knowledge of the desk by me, (but I had more idea than anyone else.)! 

    The aim of FLX series consoles is that they are as intuitive as possible, without limiting advanced "industry" users. There are some consoles solely aimed at non-industry operators, some aimed at industry professionals, and then FLX which is definitely designed as a "hybrid". If there were particular workflows you found hard to get your head around, I'd love to know - perhaps we can make some changes.

    However, what never ceases to amaze me, is the speed at which students pick up and learn FLX. I was running console training only the other week at a school, and before I had finished explaining what the different faders and buttons are for, a couple of students that had never touched the console were controlling lights, and recording them onto playback faders. Anyone under 20 - 25 seems to just "get" FLX. Why? Good question. Growing up with an operating system in your hand (smartphone/tablet) is definitely going to help, but I also wonder whether an element is that they have never heard the term "fader per channel". If you don't know this philosophy, why would you expect a single light to have several faders to control it? Working left to right, they see the fourth light, raise the fourth fader on FLX, it comes on, tap blue on the touchscreen, and that light is now blue. Happy days.

    5 hours ago, Robin D said:

    The only thing anyone in the school knew how to do with the FLX was to use the colour picker to change the scene colour. Training certain teachers will help, but teachers move on, and is the incoming person going to get training on the equipment?

    This is a real issue, and something we see regularly from a support point of view. There never seems to be any handover when the designated school technician leaves. This is where from our point of view online training works well. The teacher who wishes (or has to!) pick up the reins can join an online session on their tablet, sit in front of the console, and work through some examples with their lighting rig. 

    I hope this hasn't come across as me ramming FLX down your throats. I'm not a sales guy so had no intention to! Just my personal outlook on the topic.

    • Like 2
  11. 3 hours ago, GOODN537433 said:

    We had issues with the early flx which put us off those.

    Sorry to hear this. Would you be able to elaborate on the issues you faced? Please feel free to email support@zero88.com if you have any questions.

  12. Hi @Tim Armitage

    Firstly, can you confirm whether this is a Leap Frog running FrogOS, or a Leapfrog running ZerOS? If the console has 12 submaster faders it is the original FrogOS-based console, whereas if it has 10 submaster faders it is the ZerOS-based console.

    If this is a ZerOS console, please could you confirm the current software version? To find this please click the “Other Windows” button, found top-left of the Output Window. From the dropdown choose System Info. In the window that opens will be a line of text displaying the “Software Version”.

    Feel free to email support@zero88.com for quicker support.

    • Upvote 2
  13. On 9/15/2023 at 11:14 AM, alistermorton said:

    It appears there's a lot of villages called "Gwasanaeth" in Wales, just near the M4

    You'll also see lots of signs on the M4 saying "Caution Gofal" - I still haven't seen a Gofal, but presume it is a scary creature of some form.

    • Funny 2
  14. Hi @Stuart91

    23 hours ago, Andrew C said:

    The current drawn will be entirely dependent on what lanterns are on at any one time.  Don't fall into the trap of "if I have these channels at 50% the lanterns draw 1/2 the current" - it ain't so!

    9 minutes ago, Stuart91 said:

    More out of curiosity than anything - is there a correct answer to this? I'd guess that the triac/switching circuitry draws more power, but for shorter duration?

    Different dimmers will of course all have slightly different curves, but the graph below shows you the power drawn by a 1KW PAR64 when dimmed by an Alphapack 2 dimmer, with a 230v supply:

     214596040_PowerDrawninRelationtoDimmerLevel.thumb.jpg.612080e7d8a35fe3449509381cd62860.jpg

    Edward

    • Upvote 1
  15. Hi Tom,

    If you have patched fixtures onto the Fixture MFKs (Multi-Functional Keys) on the right-hand side of the console, their intensity can be controlled by clicking FIXTURES, selecting them using the fixure's MFK, and then using the Brightness encoder wheel.

    If you wish to, you can program the fixture's intensities onto Submaster faders. To do this, go into PROGRAM mode, set your fixtures to the required levels, tap a Submaster flash button, and tap PROGRAM.

    If you'd like more information, feel free to email support@zero88.com

    Edward

  16. Hi @CodeAV

    12 hours ago, CodeAV said:

    Is it possble to stack both cues and chases onto the playbacks i.e. playback fader 1 could have a slow PAR chase but also a faster PAR chase... presumably accessed form the flash button?

    FLX S24 consoles can have a single "item" on a playback at one time. So the playback could be a chase, a cue stack, a submaster, or an effect.

    If you have recorded a chase on a playback, by default the playback's button will be a "Tap Tempo", allowing you to update the speed of the chase on-the-fly.

    12 hours ago, CodeAV said:

    are there any limitations to the amount of cues or chases on each of the playbacks? 

    On FLX S24, you can record a maximum of 10,000 cues across all playbacks in the console. A "step" of a chase is also referred to as a cue.

    We have various FLX S training videos on YouTube if you'd like to learn more. If you have any questions, please do drop me a message, or feel free to post on the FLX S forum.

    Hope this helps,

    Edward

  17. Hi @johnb

    4 hours ago, johnb said:

    The FLX S24 looks interesting - need to get my head around what's possible via a tablet as it's not clear the difference between the remote and monitor apps.  Luckily it looks like the local hire company has one in their stock, so may need to see if I can have a play with it at it some point and how simple it would be for non technical operators to turn some lights up a bit and add some colour to the space.

    As a general rule, the ZerOS Remote app allows you to program the console, whilst the ZerOS Monitor app can be set up to allow you to monitor and operate.

    To go in-depth on the ZerOS apps, please watch the video below...

    https://youtu.be/LjHvt6vVl-0

    Please see the playlist below for FLX S training videos...

    https://youtube.com/playlist?list=PLbMewrDGCXOGKfNxT5Q408r0c-rZCKd1n

    Feel free to DM me if you have any questions.

    Edward

  18. Hi Andrew,

    4 minutes ago, Andrew H said:

    Thank you very much indeed.  First, let me confirm I understand how to use the profile you provided:

    This is loaded into the desk and assigned as, say, moving light 12.  In the manual patch, I would assign moving light 12 to be DMX 512.  As the characteristic is Beamshape, it is unaffected by the Grand Master.

    Yes - you've got it.

    Please see the link below for information on loading in fixture files from a disk...

    https://zero88.com/storage/downloads/24230203-252a-4a5a-b578-43c498bd6721/Frog-Range-Manual.pdf#page=55

    Edward

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