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Silent Disco Systems


TallMike

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I'm sure there are some PA companies around that could supply a few hundred IEM receivers and a transmitter.

I suspect a receiver system that wouldn't hurt too much financially if it was lost / stolen / broken would be preferable to a proper IEM system.

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I'm sure there are some PA companies around that could supply a few hundred IEM receivers and a transmitter. Licencing wouldn't be too expensive given the number of frequencies used, even over the course of a month.

 

 

You know anyone that has 550 matching IEM recievers?!

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What sort of size space are you working with?

Sennheiser do a headset system that uses infra-red transmitters and earbud receivers. Without knowing the specifics it's hard to know if this will work for you but for a largely static audience you can up-scale the system as much as you want. Less intrusive also. And dual channel if you need translation etc.

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It may be worth contacting the Crucible theatre in Sheffield - for the Snooker recently all the audience had earpieces for listening to the commentary - they may know who supplied the system.

 

There are several dry-hire companies with the silent disco equipment these days. You just get a dual transmitter (4x phono in), as many headphones as you need, and a pile of cables to connect to the transmitter with (e.g. XLR to phono leads). Takes a few minutes to set it up. There is a charge added on for broken headphones, which is recommended to be covered by putting a deposit on for the punters using them.

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if its hire you want, you need a tour guide system or interpreter system. its generally dual channel and the system size is unlimited, ive never hired 550 before, but a fair number in the past { think bif multilingual conference} and they cost less than you think and are generally available.
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It may be worth contacting the Crucible theatre in Sheffield - for the Snooker recently all the audience had earpieces for listening to the commentary - they may know who supplied the system.

 

Other than maybe a load of additional headsets, they wouldn't really need to hire anything in to provide that.

 

They installed a Sennheiser infrared system *years* ago to supplement (replace) the induction loop, and were among the first UK theatres to start routinely using the spare channel for audio described performances (in effect a 'commentary' for members of the audience to listen to). All quite cutting edge at the time, but very routine in loads of venues these days.

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Talk to Radica broadcast systems, or SBS or the like I know they used to do gear for the rugby grounds that worked like this using very cheap Chinese radio receivers and a low powered RSL transmitter, MUCH cheaper then IEM packs (the fans would buy the radios for a fiver!).

 

Agreed that parking up outside with a 100W on 2M could be amusing.

 

Regards, Dan.

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