cedd Posted April 14, 2010 Share Posted April 14, 2010 A pair of SE electronics Se1a's is a very cheap way of getting a pair pf reasonably decent mics onto the job. I have a pair and they're my weapon of choice on a budget for overheads. To be honest, the behringer small diaphragm condensers aren't THAT bad for drum overheads. I've always been interested in the Beyer MCE530's for drum overheards and as a general use small diaphragm condenser, especially as the stereo mount of the stereo set looks quite interesting and low profile/weight - ideal for drum overheads. Link to comment Share on other sites More sharing options...
BlueShift Posted April 26, 2010 Share Posted April 26, 2010 This is a massive question, because the answer really depends on a lot of things, not least of which is in what style do you intend to mic the kit? Some events/engineers call for overheads that are far from the cymbals, some for overheads that are close. Some want true stereo (eg. some thing X-Y or MS), some want to localise specific cymbals or pick up specific characteristics of the space. For the work I'm currently doing, I have been under-micing the cymbals of the drum kit. This is for a number of reasons:1. I'm working in an environment where I dont want to pick up much ambient sound2. I'm not looking for an overall 'image' of the kit, just the cymbals3. I need a lot of control over the balance of the individual cymbals4. It needs to look clean on TV, and no overhead mics looks clean on TV... I'm using Neumann KM184s clamped to the cymbal stands. 1 on the ride, 2 on the crash cymbals and one on a clamp micing the Hats (from the top, in the usual fashion). Works like a charm Link to comment Share on other sites More sharing options...
jodat2 Posted April 30, 2010 Share Posted April 30, 2010 I've used the AE5100 many times, They're my preference to the rode NT5's. Link to comment Share on other sites More sharing options...
RichM Posted April 30, 2010 Share Posted April 30, 2010 However, virtually as good for a lot less money are the SE1As I have I've got a pair of these for cheapo gigs as well, they're great value for money B-) For higher budget shows I stick with 414s Link to comment Share on other sites More sharing options...
slinlexa Posted May 1, 2010 Share Posted May 1, 2010 Shure SM94 or AKG C451 live, with Gefell Omnis in the studiio Link to comment Share on other sites More sharing options...
Pete Alcock Posted May 2, 2010 Share Posted May 2, 2010 There's a very extensive thread on this very forum on exactly this topic, with some consistency of opinion (particularly concerning C1000!) See here: 2008 Drum overhead thread Pete. Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.