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Archaic theatre language


J Pearce

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The SMA are searching for the definition of a 'china man', we've had a few of these old theatre language discussions and I thought the answer was in here, but easily googling the BR has failed me; much like my own memory has failed me on this occasion.
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The SMA are searching for the definition of a 'china man', we've had a few of these old theatre language discussions and I thought the answer was in here, but easily googling the BR has failed me; much like my own memory has failed me on this occasion.

 

It was a form of windlass in the grid, I believe. A drum with several ropes wound around it to pick up a bar like a hemp set, operated from one end with a rope wound onto a larger diameter drum to give some mechanical advantage. There is (used to be?) a chinaman still in situ in the Brighton Theatre Royal.

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Seano is correct, a Chinaman is a windlass that was generally reeved with two sets of borders, one set in, and the other out. With a pull of a rope, the border sets are swapped.

 

There are two Chinamen in the grid of the Garrick in London's glittering West End. They were a complete pain in the arse when Zorro was fitting up there as they made around 25% of the grid unusable. Cue some interesting rigging using RMD to be able to hang the 20 tonnes or so of lighting, automation and stunt equipment.

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I've just had a rummage around t'internet, and another possibility popped up..

 

I wonder if "chinaman" might just have been another name for a Chinese windlass (aka a differential windlass). Wikipedia clicky

 

 

E2A

Ah, hadn't seen Jonathan's reply when I wrote the above. Interesting. (And yes, glittering indeed, it all sounds terribly glamorous. ;))

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