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Line Source Emulation / Calibration Software


livesoundproduction

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If it's a big & complex rig, why not contact the manufacturers direct? They may like the challenge and will always be keen that their kit sounds the best it can.

 

 

Been working on that :D The chaps offering to supply the L'Acoustics rig have it on test and are offering a discount. Naturally it comes with their own trained engineer to rig, but I wanted to have a play myself (you know how it is...)

 

Might just bite the bullet and pay for Soundvision

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If you are hanging an L'Acoustics rig, you need to use Soundvision. How else can you possibly predict how the array is going to perform? There is little sense spending a fortune on PA and not deploying it properly for the sake of the price of the software.
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If you are hanging an L'Acoustics rig, you need to use Soundvision. How else can you possibly predict how the array is going to perform? There is little sense spending a fortune on PA and not deploying it properly for the sake of the price of the software.
But if you spend a fortune, then should they not give you the software to use it?
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But if you spend a fortune, then should they not give you the software to use it?<br />

 

The availability of free prediction software to every kid on the block is one reason we hear so many bad line array systems. People think it does all the work for them, and most manufacturers like to encourage this foolish concept.

 

Making it more difficult to acquire can only be a good thing.

 

Nobody should ever be allowed to use array prediction software (or, indeed, set up a line array system) unless they have a thorough knowledge of sound propagation and a good understanding of acoustics in general.

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Computer versus experience that should make an interesting topic

 

It's not a question of computer versus experience. Both are necessary to efficiently set up a line array to the highest standard and one without the other will not produce the best results. You could probably get away with bypassing the computer with short arrays (up to 4 boxes or so), but then it won't behave like a line array anyway. If you bypass this prediction stage with a longer hang, get ready to fly it in and out a few times before making do.

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Computer versus experience that should make an interesting topic

 

It's not a question of computer versus experience. Both are necessary to efficiently set up a line array to the highest standard and one without the other will not produce the best results. You could probably get away with bypassing the computer with short arrays (up to 4 boxes or so), but then it won't behave like a line array anyway. If you bypass this prediction stage with a longer hang, get ready to fly it in and out a few times before making do.

 

I'll go farther and say that without prediction software you are unlikely to ever get the best performance out of the array. Spend some time playing with the interbox angles in MAPP Online to see how changing the angle between boxes 5 and 6 changes the coverage of box 2 or 3. MAPP Online has the highest degree of detail for the behavior of arrays of any of the software I have used. It is not as good in plan view as Soundvision, or the d&b software, but in the vertical dimension it is very detailed. The relationships between boxes are very complex and a simple arithmatic, or exponential progression may not be the right answer.

 

Your ears are the final arbiter, but without even coverage you'll have to pick which zone you want to sound right.

 

Mac

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It's not a question of computer versus experience. Both are necessary to efficiently set up a line array to the highest standard and one without the other will not produce the best results.

 

Quite so. My point is that there are far too many inexperienced people who think they can rely on the computer for everything to be right. Unfortunately the manufacturers encourage this as it makes it easier to sell the stuff.

 

In fact I'd go further and say "Computer + Experience + sufficient Scientific Knowledge".

 

There are a lot of apparently experienced people around who have no real understanding of how sound works. They aren't capable of producing the best results either.

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