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kerry davies

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Posts posted by kerry davies

  1. Another vote for fluoro tubes but you might be better off with several 2 foot fittings rather than 2 X 4 foot ones.  We used to use them with drapes quite effectively though  it might be worth hiring a couple of each size to try out before you buy. 

  2. Like most answers here it begins with "it depends". It depends on length of leg, loading and whether there are any maior lateral forces. I have written here before about doing an advertising shoot for a cardboard factory where we ran a 40 foot artic and trailer across a stage supported by cardboard boxes so it really does depend on lots of factors but for "normal use" I would guess at there being no problem.

    One BR member was a designer for Steeldeck so if he comes by he may have chapter and verse. It may be James Remo?

  3. Multicores would be a very costly way of running redundant/unused circuits to places you don't need them. No two venues are identical and the placing of each individual item will never be identical. My solution was to have lots of cables of varying length of each required type and use those that fitted at each venue. I can foresee having to extend multicore elements to suit each individual venue thus making them an expensive luxury that actually added to time pressure. 

    Spiral wrap or tape was always more than adequate if I needed neatness but the one thing that really worked was to run out loads of different cables and choose the closest in length for each requirement. Multicore also restricts what goes where too much for me.

  4. In order to get watchable results when filming a stage performance you need several cameras which can do close ups and wide angle and a really good editing set-up with an expert at the wheel. If they just want a record then I would use one of their existing smartphones on the cheapest tripod, as Jon Pearce suggests, and spend the £300 more profitably down the SU bar. 

    If they really want to publish the results, which they almost certainly won't once they see them, then get them to check with the society, the SU, the university and the venues if they would be allowed. 

  5. Top tip for non-slip Steeldeck? A generous spray of a proprietary cola drink and handfuls of sugar. Temporary and washable with hot water.

    Springsteen used to run down from the top of a PA stack and do a knee-slide but most of the audience didn't see the soapy/oiled water he poured on his jeans first.

  6. 1 hour ago, sandall said:

    You can buy (more or less) expensive acoustic foam, but a duvet or two will work just as well.

    I once got hold of spec sheets for very expensive Acoustic Fibre and a certain brand of Jewson cheap thermal insulation. There was no notable difference.

  7. Like Bryson I saw your location and thought immediately of Cirque du Soleil who are Quebecois and brilliant at this sort of thing. They might share some brain space with you but my own first thought, which could be totally off the beam, was to hire a camera boom/crane which come in all sorts of size and configuration. It would need a stage hand to operate but might be flexible enough to take "on tour".

    Check out the variety at www.haguecamerasupports.com/jibs-cranes-booms

    • Upvote 1
  8. If your Fire RA says that you need fire retardant soft furnishings, which it jolly well should, then you need to find another supplier. A quick Google for "Bespoke Fire Retardant Theatrical Drapes" will bring up plenty of reputable suppliers.

    The Whaleys and J & C Joel websites have detailed explanations of flameproofing and fire retardant materials and bear in mind that other reputable folks can flameproof non-retardant drapes if you cannot do it yourself. 

  9. We used to bus in the audiences for Grad and Soc Balls over 20 years ago. That works well with a student audience which is geographically concentrated. Whether it makes a big enough difference when punters have to gather at "collection points" is debatable. It certainly won't work when they turn up with rucksacks and tents etc for overnight stays. Adding a few thousand extra travellers to scheduled services is enough of a problem and lessons need learning from events like Six Nations rugby in Cardiff and the vast car parking and shuttle bus services for Ryder Cups.

    To source enough drivers for the Ryder at Celtic Manor they had to shut all the schools in Gwent and give the kids a holiday. I had warned them a couple of years in advance. 

     

     

  10. 14 hours ago, GaryNattrass said:

    Sennheiser make one but it is hugely expensive so when I was at Sky we made our own till we go the Shure digital radio mics that are far better and we use them at the BBC in Salford now too.

    Did it look a bit like a tube socket in miniature? Decades ago I had a set as part of a watchmaker's kit that sound a bit like what the OP is after. Heaven knows where to find them now.

  11. Apropos flying with kit I used to do gigs with a solo DJ/Producer/Muso who had two CDJs, two keyboards, a mixer, a drum machine and a couple of laptops. He travelled extensively in Europe and took his mate with him on European flights purely for his baggage allowance. He found it cheaper to have his mate tag along than pay freight or excess charges and his mate enjoyed the travel. 

     

  12. Hmmm? Questions. The theatre group has expanded over the years from a 120 seat barn, to add a studio and now this new build yet a quick check reveals that the street it is in has no business premises. As a charity they can get 80% charitable business rates relief but first they have to register as a business and pay something. This may lie at the root of things. 

    I appreciate that PP is a tricky and legalistic subject and we do not have all the detail but this reminds me of life in the Forest of Dean where the planning officers spend nearly all their time shouting "pull it down ..... NOW!" One neighbour there built a one bed flat in a basement and we found out as he began to build a fire exit into our enclosed back garden. 

  13. You guys might laugh about Elf'N'Safety but when I first read the question images of solutions used in the past arose.

    1. Take an axe head to it and wedge it off or

    2. Give it to a 14 year old male, preferably spotty, and warn him that they have a tendency to come off. That is nigh on infallible but can result in the clip embedded in a forehead.

     

  14. We carried half a dozen £2.50 pairs of rigging gloves for volunteers and I still have a pair that cost about £1.50 sometime in the last millennium. Unless you are rigging constantly then it probably isn't worth getting an expensive pair of Dirty Rigger but they are excellent.

    I would suggest you find your nearest Screwfix depot and try out a few pair to find what suits you and which size. There are gloves out there costing £2 which are identical to gloves costing £123-£15 with a fancy name on them. 

  15. I had forgotten what we actually did which was to bolt a hoop to the wall about a foot short of the pole length to prevent the lot falling on your head when the straps were released. Lift the tube, pull out the base until clear of hoop and the others stay there. 

    You guys need to double check my posts for sense. Everything is perfectly logical leaving here but here is under a lot of pressure right mow.

  16. Load straps with hooks work better than chain for vertical tube as long as they are used with a modicum of care. It is often useful (and much safer) if you have a set number of tubes to make a bucket like retainer to put the bottom ends into. 

    If you can store horizontally then take a wander around a few scaff yards and see how they normally build their own racking out of .... you guessed it... tube and clip.

  17. And then those of us who soldered hundreds of MDF terminations invested in the Weller 140/100W Gun with home-made bits to suit the terminals. Heated up in seconds, transferred heat quickly and generally did the job well. We got the biggest bit available then filed a groove to provide maximum contact.

    I liked the later pen-style BT gas soldering irons for light work literally "in the field". But at the end of the day it is personal choice guided by experience, good and bad. 

  18. I did lots of things in churches, abbeys, castles and the like and could regale you with nightmare power tales until Christmas BUT ... alister morton reminded me of one which began as a community event, grew to take the full WNO touring rig as a gift and had a 3 ph supply dug in through the graveyard (bones everywhere, dogs going bonkers etc.)

    For that we installed our own meter/monitor in a garden shed simply to inform the electricity board what sponsorship they were providing. Alister seems to be suggesting installing your own meter on the feed to the theatre rather than read the main house one. Single phase ones are not that expensive and any decent sparkie could slot one into the line.

    • Funny 1
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