taylord Posted September 16, 2016 Share Posted September 16, 2016 Hi all, Just after some advice on lighting a backcloth with Strand Coda 500/4. It's a city skyline cloth that I want to be able to change between night and day. I have 4 x Strand Coda 500/4 to work with. Is it best to alternate filters on the lights? Also, any recommendations for colours too please? Many thanks in advance. Link to comment Share on other sites More sharing options...
paulears Posted September 16, 2016 Share Posted September 16, 2016 How big is the cloth? Your thinking is right - daylight and evening on alternate cells, but to be even, they have to be a fair way away to blend - do you have the depth too? Link to comment Share on other sites More sharing options...
sandall Posted September 16, 2016 Share Posted September 16, 2016 The limit for 4 Coda sets is probably about 10m - anything wider is going to look a bit patchy, even using alternate cells for day & night. Being old fashioned I would probably start with Lee 103 or 202 for day & 119 for night. Does the cloth have any transparent bits in the bottom half, to represent windows, etc ? If so, do you have any room behind the cloth to back-light them ? If not, you could try sticking on pieces of glitter to represent windows, & attempt to catch them in tightly-shuttered floor- or stand-mounted cross-lights. Link to comment Share on other sites More sharing options...
alistermorton Posted September 16, 2016 Share Posted September 16, 2016 Other colours worth looking at (all Lee) might be 501 for 502 or a stark daylight or 159 for a slightly warm evening light. 120 for night can also work well - I find 119 a little green and post apocolypse, unless you want that stormy look, in which case 728 can also be good. 711 can give a nice frosty morning look. Link to comment Share on other sites More sharing options...
taylord Posted September 19, 2016 Author Share Posted September 19, 2016 How big is the cloth? Your thinking is right - daylight and evening on alternate cells, but to be even, they have to be a fair way away to blend - do you have the depth too? Hi Paul, the cloth is 40' x 20' and I have about 2m depth. There will be flats in front of the bottom half or the cloth throughout the whole show so It's just the top half I need to light really. The flats will be about 4m away from the cloth. The limit for 4 Coda sets is probably about 10m - anything wider is going to look a bit patchy, even using alternate cells for day & night. Being old fashioned I would probably start with Lee 103 or 202 for day & 119 for night. Does the cloth have any transparent bits in the bottom half, to represent windows, etc ? If so, do you have any room behind the cloth to back-light them ? If not, you could try sticking on pieces of glitter to represent windows, & attempt to catch them in tightly-shuttered floor- or stand-mounted cross-lights. Hi, thanks for the advice on colours. There are no transparent bits and the cloth will be against the back wall of our stage. I like the idea of the glitter though! Although the cloth is hired so not sure I can stick things on. Link to comment Share on other sites More sharing options...
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