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XLR Gender change adaptors


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Posted

2's HOT

3's NOT

Unless you're using older, often US made, equipment.

 

You mean like the Klark Technik DN360, DN500 series, DN410, and pretty much all of their early versions? I hadn't realized they were made in the US. :rolleyes:

 

Of all the pin 3 hot problems I have run into in over 35 years in professional audio, every single one of them involved pin 3 hot unbalanced XLRs on KT equipment. The not so subtle US bashing is really tiresome.

 

Mac

Posted

Its the Brits who had pin 3 hot many years ago, not the USAns...

 

To be precise it was the BBC! When I worked in P. & I. D. in the early 70's I had to deliberately solder the XLRs wrongly compared to the ones I was used to doing for other applications.

Posted
Not just the BBC; much British kit. Studiomaster consoles spring to mind, as I used those a lot back in the day, and I'm sure I could dredge back some more memories
Posted

Wow, I didn't know this would be such a hot topic! http://www.blue-room.org.uk/public/style_emoticons/default/rolleyes.gif

Thanks for sorting it out, just had a fun afternoon turning old broken cables into shiny new adaptors!

Not just the BBC; much British kit. Studiomaster consoles spring to mind, as I used those a lot back in the day, and I'm sure I could dredge back some more memories

When you say old studiomaster consoles, is there a date they changed or are all their consoles reversed? It might explain a problem a band I work with has had.

On the other hand, Its a desk of many problems and I doubt that sorting one will ever persuade me to use it for an event!

cheers

 

Dave

Posted
When you say old studiomaster consoles, is there a date they changed or are all their consoles reversed?

Don't know. The stuff in the 80s was certainly pin 3 hot. The mixers I remember using were the x-4-2 with 3 band EQ, 2 swept.

 

To be fair, on balanced signals, as long as the path on both L&R is the same, it doesn't really matter if pin 2 or 3 is hot. As long as random cables don't swap it over in just one path, that leads to ugly results...

 

Beat up mixer of the sort I vaguely remember:

 

http://www.gearslutz.com/board/attachments/low-end-theory/117361d1239205182-studiomaster-16-4-2-opinions-studiomaster-16-4-2-1.jpg

Posted
When you say old studiomaster consoles, is there a date they changed or are all their consoles reversed?

Don't know. The stuff in the 80s was certainly pin 3 hot. The mixers I remember using were the x-4-2 with 3 band EQ, 2 swept.

 

To be fair, on balanced signals, as long as the path on both L&R is the same, it doesn't really matter if pin 2 or 3 is hot. As long as random cables don't swap it over in just one path, that leads to ugly results...

 

Beat up mixer of the sort I vaguely remember:

 

 

 

Ahh,, Theirs is circa 1990 I think. Adding any possible problems caused by a 3rd pin hot to its long list of faults makes it a desk probably beyond repair.

Posted

From back in the day: Seck mixers

 

http://www.gbaudio.co.uk/images/seck/62mk2.jpg

 

also had pin 3 hot on their outputs.

At least, the one I used had, until I did a bit of internal re-soldering, to get around having to use annoying phase-change adaptors that people kept loosing.

Posted
The Bose 802/302 controller in the PA amp rack I'm currently working on has pin 3 hot on the inputs. Outputs are TRS jacks (conventionally tip hot, ring cold). Glad I noticed the diagram on top of the casing as it means I'll need polarity reverse cables on the inputs. That said, in all but the most critical of applications, I suspect very few would ever notice the difference just listening to the PA.
Posted

My first new mixer (a Star Sound Dynamix!) wouldn't give any usable output. It took a little while to realise the output XLRs were a) unbalanced and b) pin 3 hot. I had always assumed that the UK manufacturer had followed US convention ;-)

 

 

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