lxbensh Posted September 1, 2010 Share Posted September 1, 2010 Im the LD for a new work at the moment and we have a lovely little scene where a terrorist detonates a bomb in a train station and everyone dies. Any ideas on how to recreate an explosion with lights? Its a black box venue (studio) so most pyro techniques are out othe question. Any ideas? Link to comment Share on other sites More sharing options...
LXbydesign Posted September 1, 2010 Share Posted September 1, 2010 I had to do the same thing for a show about the london tube bombing. So, along with an allmighty explosion FX from the sound dept., I simply used an Atomic 3000 strobe on blinder mode for a few moments. Did the job!! Link to comment Share on other sites More sharing options...
lxbensh Posted September 1, 2010 Author Share Posted September 1, 2010 CheersI was thinking about using our atomic, was just curious to see if anyone had done it differently ** laughs out loud ** Link to comment Share on other sites More sharing options...
J Pearce Posted September 1, 2010 Share Posted September 1, 2010 When I had to do this for a WWII piece set in a tube station during a bombing raid I used 2 molefay 4lite blinders and some parcans.A very quick snap b/o followed by a snap whiteout followed by a snap blackout with a long fade back into the destroyed station worked very nicely. The snap b/o before really helped to make the whiteout a bright blinding shock. Link to comment Share on other sites More sharing options...
tom_the_LD Posted September 1, 2010 Share Posted September 1, 2010 I agree with Jon - when I've had to do this in the past I've used blinders too and it gives a better effect as they're intended to "blind". If the budget is available, definitely get either 2 x 8lite molefay blinders or a selection of 4lite blinders and do a "flash" of them all together. Link to comment Share on other sites More sharing options...
Smiffy Posted September 1, 2010 Share Posted September 1, 2010 Hello: My approach would be very similar to the above. Make the leading scene as dark as you can feasibly get away with given the Time of Day, Enviroment requirements, Mood etc (makes the Bright bit all the Brighter, ideally it would almost 'hurt' to see). Strategically positioned Atomics set to Blinder in the vicinity of the Blast zone. as many 4 Light Blinders set back out over the audience, pointing at the audience as you can get, and throw some CTB over them to get close to the Atomics Colour Temp (or a bit of CTO over the Atomic, etc) and some big fans Cue sequence - Ideally as a set of 0.5s Follow On's or faster. 1. Strobe 2. First row of Blinders 3. Second row of Blinders + Fans 4. Third Row of Blinders (keep adding rows of blinders as far back as you've hung 'em) X. 1.5s FBO / Restore as required Just my thoughts, although probably heading a little towards extravagance, but that's just me ;) Cheers Smiffy Link to comment Share on other sites More sharing options...
gareth Posted September 1, 2010 Share Posted September 1, 2010 I agree with the suggestion of blinders pointing out towards the punters. But don't underestimate just how much some decent sub-bass adds to an effect like this. You can throw as many Molefeys as you like into the rig, but if the sound element of your explosion is coming out of a couple of poxy little full-range cabs each side of stage it's still going to be pants. Stick a couple of 2x15s underneath your seating rostra to rattle the punters about a bit, however, and it takes it to a whole other level. Link to comment Share on other sites More sharing options...
Smiffy Posted September 1, 2010 Share Posted September 1, 2010 Couldn't agree more with Gareth. As with all of these things, all departments working with rather than against each other will result in success. Cheers Smiffy Link to comment Share on other sites More sharing options...
elvenprince Posted September 2, 2010 Share Posted September 2, 2010 I'm assuming the snap B/O before the 'explosion' is very much like the sound effect you often hear in films; where it fades to absolute silence a second before a huge explosion? I hadn't thought that the same effect could work with light, thanks for the idea ;)When I had to do this for a WWII piece set in a tube station during a bombing raid I used 2 molefay 4lite blinders and some parcans.A very quick snap b/o followed by a snap whiteout followed by a snap blackout with a long fade back into the destroyed station worked very nicely. The snap b/o before really helped to make the whiteout a bright blinding shock. Link to comment Share on other sites More sharing options...
Ashley R Posted September 2, 2010 Share Posted September 2, 2010 What I would do is Blinders and atomics coupled with some massive sound Fx implementing some subs as gareth said under the seating if possible. Also what sometimes I like to do is a smoke drop box kind of thing. simply a box with a lid which you can fill with smoke and then let it go. that means when you go into the next scene its quite hazy and smoky from the result of the 'explosion' Link to comment Share on other sites More sharing options...
lxbensh Posted September 3, 2010 Author Share Posted September 3, 2010 Cheers ladsIve got the atomic all booked and trying to source a couple of blinders. Definetly going to borrow your snap B/O before explosion Pearce. The sound designer and myself are working closely and I can say we will have decent subs to get a nice rumble happening, hopefully. Link to comment Share on other sites More sharing options...
JDLX Posted September 6, 2010 Share Posted September 6, 2010 How about a bright moving head doing a fast iris out from nothing to full; to give the impression of an expanding shockwave of an explosion and then some strobing from several different directions? Audience blinders are always good too. Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.