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Whats the best value Transportable PA for Boundary Mics


ringo

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I recently stood in for a a local company to tech their radio and boundary mics. for a show and I was amazed at the level I could achieve with their PA system on the boundary mics compared to my PA system.

 

I found out that they were using two Tannoy Power VQ60 Live speakers. These weighed in at around 80kg each and cost about £4k each, but did an outstanding job. They only had a 60 degree dispersion so may not be suitable for a very wide theatre, however the headroom on the boundaries was amazing compared to my normal PA, where I just start to get a level then feedback creeps in.

 

I use three Audio Technica rifle mics model AT897's, and I would like to purchase two active speakers that will go someway towards the getting a decent amount of headroom before feedback. Budget is around £2k mark for the lot. and I would like them to not be too heavy, say 30kg max Anyone got any suggestions? I heard the RCF and Tannoy powerV12hp's are very good speakers, but I am specifically looking for recommendations for boundary mic'ing.

 

thanks in advance.

regards.Ralph

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You do not state what your existing speakers (and control) are, but I would suggest your extra gain before feedback was probably due to a) level frequency response and smooth off axis behaviour of the Tannoys plus b) the fact that boundary mics often work much better than rifle mics in this application.

 

There have been several discussions on the various usuable boundary mics on Blue Room, but it would be in your interest to try / hire some good examples before parting with a large wad of cash for your speaker upgrade.

 

Simon

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Second Simon's comments. When you're working with distant microphones of all kinds, then small (or large) humps and bumps in loudspeaker frequency response do make big differences that despite complex graphic treatment and all sorts of control tweaks, still fight you. I've had good results from all sorts of Tannoys through the years, but their dual concentric drivers do work for me - although some people don't like the 'sound'. With properly designed loudspeakers, ample volume from stage edge mics and performer worn mics isn't too difficult.
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You do not state what your existing speakers (and control) are, but I would suggest your extra gain before feedback was probably due to a) level frequency response and smooth off axis behaviour of the Tannoys plus b) the fact that boundary mics often work much better than rifle mics in this application.

 

There have been several discussions on the various usuable boundary mics on Blue Room, but it would be in your interest to try / hire some good examples before parting with a large wad of cash for your speaker upgrade.

 

Simon

Thanks Simon, sorry, I should have added that I normally use 4 EV SX300's when using my PA in a hall or small theatre, I have a PROEL desk MS20USB and a CROWN XTI 2000w Amp. I use a Behringer ultracurve pro and normally use the Parametric EQ to make cuts when ringing out the room. When I heard the Tannoys, they were using 3 rifle mics AT815r's. not boundary mics.

 

When I get a bit more time I'll trawl through the forum re boundary mics.

Thanks for your response.

 

 

A concurrent post has been automatically merged from this point on.

 

Hi Ralph! :rolleyes:

 

Just to save you the trouble, here's a link to the speakers I just showed you! RCF TT08A

If you want to have a proper listen just let me know.

 

Mark

 

Cheers Mark, I'll probably take you up on your offer of a demo shortly,

 

regards.Ralph

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