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crox

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any suggestions for wired solutions?

 

we are going to be giving all the muso's IEM as our new desk offers enough channels for this.

 

I see that there are a lot of multiple channel units, which although saves money, surely would mean lots of cables running from a box to the muso's whereas surely something, say belt pack, which offers local input as well as what we send them, with mix control would be far better?

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You don't mention what area you are working, theatre, live events etc but I've had a lot of success in the past just using a mini mixing desk such as the Behringer Xenyx 502. I have Y spilt a vocal mic into these before so backing vocalists can have independent control of their own voice and a mix I send them.

Hope that is helpful,

Mark

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it will be for live worship at a church (in a cinema - see other thread).

 

We currently use active monitors, but want as less stage noise as possible, as well as looking a lot cleaner and professional. Hence, a separate mixing desk will not cut it, neither will a multi in/output unit.

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Neat cabling is important, but easily achievable.

The Behringer 4 channel offering is very good for the money, and of course you buy as many as you need. You can have a shared mix, or aux mixes and blend each channel between the 2.

 

One thing you need to be careful of is impedance. The 4 channel Behringer one drives down to 8ohms. Alot of commercial IEM are 32 ohms, some 16 so the unit can easily cope with these. In the case of 32, if you share mixes, you can even run 4 off of the same output here giving you an 8ohm load in total. The 8 channel ones, and the majority of other 4 and 8 channel ones at the budget end of the market (samson, alto phonic that sort of thing) only drive to 100hms. This is quite frankly useless for most earphones of today.

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Neat cabling is important, but easily achievable.

The Behringer 4 channel offering is very good for the money, and of course you buy as many as you need.

 

The Behringer 8 channel unit is probably the worst piece of audio equipment I have ever come across however (unless the one I had was duff in some way).

 

Cabling wise, rather than individual XLRs to each musician, you can just make headphone extension leads, then it's all much the same.

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I don't want to go down the multi-channel per unit affair, rather giving everyone their own pack. I have heard from a fairly sizeable church in Norwich, that Fischer amps are spot on. Not cheap though, but from what I have seen, solid as a rock.
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I don't want to go down the multi-channel per unit affair, rather giving everyone their own pack. I have heard from a fairly sizeable church in Norwich, that Fischer amps are spot on. Not cheap though, but from what I have seen, solid as a rock.

 

Well the obvious choice is then the Shure PSM600 wired beltpack. I believe these retail for around £600 each :s

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If you have a look at the Thomann site there are many wired IEM solutions at various price points.

 

Another interesting solution is the Mackie HMX56

 

Though now having seen such a setup working, I'm of the opinion that for a reasonable size band the "Behringer ickle mixer per muso" solution is hard to beat, either in terms of functionality (Your talking Aviom to do better) or price. The only hassle is cable, and thats just building a passivre split box and a few six channel multicores.

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the majority of other 4 and 8 channel ones at the budget end of the market (samson, alto phonic that sort of thing) only drive to 100hms. This is quite frankly useless for most earphones of today.

 

The samson is quite happy at 8 ohms. The reason I got that one was because at the time, behringer's offering couldn't manage anything below 16 ohms. Of course they later brought out models that were happier at lower impedances.

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Well the obvious choice is then the Shure PSM600 wired beltpack. I believe these retail for around £600 each :s

The P6HW is a good unit, but the last time I tried to buy them they were temporarily (possibly permanently) discontinued due to not meeting RoHS regs and being an old unit Shure were in no rush to rectify this, although I don't know if this is still the case. A slightly cheaper option is the Canford beltpack amplifier (here), but these don't allow any mix control between two sources.

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