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Old profile brightnesses


Biskit

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Hi All,

 

Does anyone have any photometric data for Patt 763/764 profiles? I'm looking into borrowing some as a stop-gap (I'll be buying some more modern units shortly anyway), but I seem to remember them being very dim* when I last used one. Strand Archive doesn't have this info, but perhaps someone here uses them alongside other units for which I may be able to get such info, as a rough reference?

 

*By dim... I mean I'm not expecting Source 4 standards, but I'm hoping they may be at least comparable to, say, a Cantata or Harmony profile (focussed to the same angle, and using a 1k lamp)? Or are they a lot worse then this?

 

Any ideas?

 

Cheers, Ben.

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I have a 764 alongside 2 optique and 2 cantatas on a truss. bearing in mind we're also comparing zoom optics with more glass and 200W extra in the lamp, yes, they are dimmer - and with both up focused next to each other, there difference is both brightness and warmth - the 764 is notably different - however, with a few of them, I'd be quite happy using them.
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Well, technology advances always, so yes, expect the optics in a S4/SL to be better than a Cantata, which is better than a Harmony, which is better than a T-spot, which is better than a 764*.... It wouldn't be progress otherwise, would it?

 

 

 

* = Actually, I'm not so sure a T-spot is actually better than a 764, but that's a peculiarity...

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Hi Ben,

 

I don't know any technical data about the Patt 763/764 but I know exactly what you mean about "dim"! I remember when they were 263/264!

 

What I would suggest though, is that you contact Sam Garner-Gibbons (Head of Lighting) at Chichester Festival Theatre. His main rig has them and they often get used for gobo washes. What he doen't know about getting the best out of these lanterns isn't worth knowing!

 

Good luck,

Ba77a

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From Strand data sheet 20 17 001 for the Patt 263 (the precurser to the 763)

 

Cut off angle 20

1/2 peak 18

 

for T4 lamp

 

throw (m)...........8........9........ 10 ....... 11....... 12

spread (m) ......2.8......3.2 ......3.5.......3.9...... 4.2

lux..................820......650......525.......435.....365

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Oddly, I don't agree. How many other profiles can you put front of house and hard shutter the pros leaving the opposite edge soft to blend with others? I always though Strand were mad to dump the bifocal design. With a conversion kit fitted for more modern lamps, They're pretty good. The angled lamphouse is also handy as it takes less rear space on the bar. Fair enough, there are plenty of brighter, superior optics kit about,but there's still a use for them.
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Hmmm, I would disagree, the angled lamp house is good yes, but overall they are much bulkier and more awkward than a modern profile. The ones I have access to are in a bit of a state, they've been neglected and abused for a good while, so the shutters are a bit of nightmare to set, though do work nicely as you described. My main gripe with them though is just how dim they are, by the time you factor in the longer throw, they can hardly make themselves stand out against the wash, and a profile being over powered by a Patt 123 is just depressing.
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Confused - bulky compared to a Source 4 maybe, but most others are pretty much the same. With a clean reflector, clean lens and a halogen bubble, they aren't that dim - certainly obviously brighter than a 500W profile, or a 123, other than when they are spotted right down, and close in. We've still got a pile of T-spots which are pretty horrid - but again, they do work. The modern stuff is better, of course, but the oldies still have their uses when quantity is needed.
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