QUOTE (IA76 @ 19 Jun 2009, 9:26 AM)

QUOTE (Brian @ 19 Jun 2009, 8:16 AM)

So, your 'to-do' list is...
1) Separate the speaker wiring into the two areas
2) Buy another 100v amp
...and then decide how to wire it up.
You could feed each area from it's own amp and then feed the amps thus...
Amp A - fed with Mic A
Amp B - fed with Mic A and Mic B
with each amp feeding its own area
...or...
Amp A - fed with Mic A
Amp B - fed with Mic B
with Amp A feeding area A and with area B being fed from Amp A OR Amp B depending on a changeover switch. I'd go with this one.
I now know exactly what we need to do.
Can you give me a link to the kind of changeover switch we should be using. If possible we want one that will work with 3 mics & 3 amps and allow any mic to be sent to any amp (this would ocver any future plans we have)
We use an Allen&Heath idr8 for main FOH to allow us to do this - possibly slight overkill for this application with 10 inputs and 10 outputs though! Having said that, its got all the processing too (delays etc) should you wish it, and can also be hooked into a fire alarm relay to kill the output.
For our stage monitors, we use use Cloud CX163 (purely to cut off the sound in case of fire), this is a two stereo channel mixer to two stereo outputs - as the others say, you can send either of the mixes to either output, and has an extra input for a mic (not quite figured the purpose of that). I would suggest for redunancy maybe the Cloud CX263 for you - this gives you three stereo channels input and 3 outputs - just gives you extra flexibility should you need it. (http://www.cloud.co.uk/zone-mixers-22.asp) I can't fault these units, we've got two spares as back up, and have never had to use them)
I don't remember what we purchased them for, but they're not unreasonable and fairly popular for installs. All of ours were purchased through
VME UK and I would imagine they still sell them.